The Protest: Scene from my Accursed Novel

When Clark walked into the house, he heard yelling come from the living room. He set his backpack down by the door and ran in to see what was wrong. Maureen was sitting on the floor stuffing envelopes and screaming at the television.

"You fucking lying bastard! How can you sit there and say that shit?!"

"Mo?"

Maureen looked up at Clark. "Oh, Hi. Can you believe these guys?"

Clark leaned over and kissed Maureen on the top of the head. "I thought you were being raped or something."

"You're so melodramatic sometimes."

"I'm melodramatic? You're having a premature stroke watching Crossfire and I'm melodramatic? Mo, maybe you shouldn't watch so many of these things. This can't be healthy, even at your age."

"At my age? What should I be watching at my age? Bozo's Cartoon Circus?"

"I'm just saying, that you don't have to watch every news show just because it's there."

Maureen looked at Clark blankly, as if he were speaking Swahili. "That's what they want, Clark."

"There is such a thing as too much information."

"Sure. I can pretend it's not there and sit around watching sit-coms or docudramas and wait for them to show up at my door and drag me off for thought crimes. Or better still, they could find me so innocuous that they would ignore me completely because my brain is so addled and placated . . . "

"That's not going to happen."

"Tell it to a campesina or a Bosnian Moslem."

Maureen to continued to stuff and label envelopes without missing a beat. "I'm just saying," Clark continued, "that one day without being in a snit might actually be good for you. You push yourself so hard sometimes." Clark sat down on the sofa behind maureen and began rubbing her shoulders as she sat on the floor, back to the sofa, with a pile of flyers, a roll of printed mailing labels, and a sheet of stampls on the coffee table in front of her. She leaned her head back against his legs and sighed. Clark leaned forward and kissed her. "Tyranny will still be there tomorrow for you to battle."

Maureen snapped forward and began folding flyers again. "Don't patronize me, Clark. Just because you and your friends got tired and sold out . . . "

"Don't start on this again. If what I do is so shitty, why do you put up with me? Not everyone can throw themselves in front of traffic or chain themselves to the Armenian Embassy."

No. Some of us have to prop up capitalism while me make the pretense we're bringing it to its knees by writing positions papers and textbooks and putting on red face and doing our little Marxist minstrel show for the department heads."

Clark stood up and snatched a paper from Maureen's stack. "And how is this dead tree pulp going to bring fascism to its knees? Political assassinations through paper cuts?" Clark balled up the flyer and through it across the room. "I really want to know, Mo. WHY DO YOU STAY WITH ME? I'm so clearly inadequate. Am I your practice? If you can improve me, you can improve the world? Or is it just that you can't hang onto your rich Mommy and Daddy forever while you live in your fake poverty, so I'm the least onerous way for you to get a hot meal and a roof over your head and get fucked every once in a while?"

"Fuck you."

"Is that it? Does it make your clit hard when I recite Das Kapital? Or is it just the sexy way I draw out Hegel's dialectic?"

"Maybe I just wanted an A in poli sci."

Clark kicked the table away from Maureen. Stamps and papers went flying and the stapler landed with a thud inside the upended table.

"Why do you do this? You know we never dated while you were in my class. Why do you have to be such a bitch when you're mad?" Maureen cringed against the couch with her hands in front of her face as Clark stood over her screaming. "Why are you crying?"
Clarked stormed upstairs and slammed the bedroom door. Maureen could hear the deadbolt turn and Clark was slamming things down on his dresser. She started when she heard something smash against the wall overhead.

Maureen sobbed loudly, gasping for breath, as she got up and set the coffee table upright. Her hands shook while she gathered up the flyers and supplies. She fished around in the couch for the remote control and turned the channel over to a cartoon. Mechanically, she folded, stapled, stamped and labelled a few more flyers before finally giving up. She crawled onto the sofa and lay down, cradling a pillow in front of her. She stared blankly at the television, sobbing quietly.

At 4:10, Clark came downstairs and looked at Maureen, who had falled asleep curled around the throw pillow. He touched her gently on the arm and she jumped up, startled and scared. Clark sat down beside her, putting his arm on her shoulder.

Maureen snuggled against his torso, trying to go back to sleep. Clark lifted her to her feet. "Let's go to bed. You'll be more comfortable there. I'll help you with your mailing in the morning."

"What time is it?"

"After four. C'mon." He led her upstairs to their room, leaving the lights and television on.


In his small apartment, Clark woke up in the middle of the night, briefly disoriented. He lay on his side in the dark, trying to orient himself, to remember where he was. Once he finally remembered, and realizing he now needed to go to the bathroom, he rolled over in bed, fully awake now. He saw a very small man, no more than 3 1/2 feet tall, the same size as the divider between his kitchen and dining room. The little man had a wrinkly face. He was hunched over, wearing a dirty little trench coat. His face looked like a caricature, like a drawing of Jimmy Durante, with the big nose and big eyes. He put up a stubby, swollen wrinkled hand and waved at Clark, then before Clark’s eyes, disintegrated, decrystallized. Clark immediately jumped out of bed and began sorting socks and underwear. It was 5 a.m. Within 10 minutes, he was dressed and out the door, headed for the fluorescent lights of an all-night laundromat.

The next day, Maureen loaded up a few signs and began to drive around town, collecting her friends. The five of them had planned to drive to the nuclear power plant outside of town. No big deal, just issue a few manifestos, stand across the street with some signs, show that not everybody wanted to go inside the plant for a sanitized "tour" promoting nuclear power. As an older plant, this one could potentially have some real problems, and Maureen and her friends wanted to open the debate--a debate that had seemed absent in this community.

Not too far from her hometown, maybe 150 miles or so, the power company had put up a nuclear plant, promising the residents that the lake, built to cool the plant, would provide recreational opportunities. There were images right out of the Simpons of people boating, fishing and swimming right next to the twin towers of the plant. The thought of swimming in a lake that was created for and fed into by a nuclear power plant made Maureen's skin crawl. Not surprisingly, once the plant was open, the residents were unable to use the lake, due to the proliferation of unsafe microorganisms in the overheated water.

All over the country, unsophisticated small towns had been talked into nuclear plants. This one was on the river. Maureen loved living in river towns, and in fact, had vowed never to live anywhere that didn't have a significant lake or river. And she couldn't stand the thought that this plant was pouring unsafe substances into her river, just like all of the other manufacturers that dotted the shores.
Maureen had sent out a press release a few days before indicating that the local "Greens" chapter would make an appearance at the plant. In reality, the Greens chapter thus far amounted to her issuing position statements and having her friends stuff envelopes. That she had a full carload of people gathered for this event was a major coup, she felt.

Once gathered, the local Greens chapter as now configured, decked out in jeans and tie-dye, knee to knee with their signs and posters in their laps, cranked up the radio and sped off along two-lane highways out to the plant. As they got there, they saw both sides of the road full of police cars--county sherrifs, local cops, state patrol. There were more police cars than there were people in her car. At the same time, she saw no media vans or reporters and this was, primarily, a photo opp. It wasn't like they had any plans at all to shut down the plant or anything. Maureen felt at once terrified and proud of her public relations abilities.

"Shit. Look at all the cops. They must have been expecting a lot of people. Maybe I overdid it with the royal 'we'." Maureen slowed down, but did not stop. One of the police cars, perhaps noticing the proliferation of bumper stickers such as "US out of North America" and "Lobotomies For Republicans--It's the Law" began to follow them in a slow-speed OJ Simpson type pursuit.

"What should we do? I wasn't prepared for this. I just thought we'd come out, read a statement, nobody would notice us, like usual, and then we'd go have pizza."
Everyone in the car murmured "I don't knows" and "what do you think." After a few miles, the police car turned around and headed back, confident no doubt that he had defended the power plant from left-wing nuclear terrorists.

They pulled over and turned the car off. Maureen turned around to talk to her backseat activists. "Ok, let's do this. We go back, and if we see any media, we get out and talk to them. Otherwise, we just keep going."

So the white Maverick turned back and rode back and forth in front of the plant a few times but they were unable to identify any photo opportunities. They headed back into town and stopped off at a diner for debriefing and chocolate shakes. The headline in the next day's paper read "Greens Turn Yellow."

Travel Journals: Minneapolis-Chicago-Indiana, September 2001

I'm pulling this out of my archives. It's a piece of writing that I've never really done anything with--my travel journals leading up to September 11, 2001.


Travel Journals, September, 2001


Again (and always) at the bus station, feeling out of sorts. Uncertainty over small things—whether or not to check my larger bag (I have 3 bags including snacks—1 over the limit); will I get a seat to myself where I can stretch out to sleep? I don’t want to be the last one getting on the bus. Maybe I should just go home and scrap this trip. When did I become so ill at ease with the world? Two drunk men hover around the bus terminal. One wanders in, stops inside the door standing still and weaving. Through the doorway, our own gazes are fixed, impatient and hopeful, waiting to board our bus. The man assumes we are staring at him, pauses, begins shouting at us. Why are you all staring at me? I didn’t do nothing. I DIDN’T DO NOTHING. He mutters and crosses from one side of the station to the other.

Earlier another drunk man passed through the terminal, escorted by security. There was no evidence he’d done anything wrong beyond his obvious mental and partial physical incapacitation. The cop “steers” the man over to the lockers for some reason. I thought I saw the cop slap at the man, but in peripheral vision, hard to say who smacked whom. The cop is trying to get the man to use a locker, but the man is having difficulty. Hell, I’m sober and I had a hard time using them. The cop starts yelling at him impatiently to just follow the directions and the man becomes more and more frazzled, more desperate, starts yelling “mind your own . . . mind your own . . .” More slapping. Really, it’s more like swatting and I can’t tell who started it, but it’s making me anxious and my sympathies fall with the man being slapped as he struggles with the locker. Suddenly the cop grabs him and starts throwing him around, throws him over a table, handcuffs him and takes him away. I can’t figure out why he had to be in this guy’s face in the first place. I never know what to do in these moments. I want to yell and tell the cop to leave the poor guy alone. All I can manage is to seethe passively, muttering “fucking cops”.

The originally scheduled bus is overloaded, so they call in a second bus. Drivers are called in the middle of the night and we finally leave at 2:00 am, an hour and forty minutes later than scheduled. Damon Wayans does not hassle me about my bags and I manage the much-coveted back seat of the bus, which has three seats rather than two, in which I can stretch out and sleep through the night trip. I watch the Seattle-bound bus next to us fill up like a clown car, wondering how they’ll fit all those people into that bus. I start to feel anxious for them and finally settle into my own seat, grateful and sleepy.

After five hours of intermittent sleep, Chicago—where the trains make the streets shake and everyone pretends not to notice. I walk down from the bus depot, down Canal Street, which I always think is the coolest name ever for a street. Down Jackson. Down Wabash. Already too exhausted and restless to land anywhere. It’s always unbearably humid when I’m in Chicago. People must sweat here even in February. My jeans weigh down my legs, making me too heavy to walk, so overweighted that I become weightless, like an astronaut in a heavy suit, clumsy, unnatural. I’m completely paranoid that I will get sick—get a cold—out here on the road and be miserable for the next 10 days. An abortive attempt to eat Jerk Chicken pita and read arts papers. The unbearable humidity and lack of sleep make this the wrong choice of cuisine. Abandon heavy spicy gravy meat and move on to the lake. I wander around the Art Institute. Look at the Surrealists. Sit in the Café. In Grant Park I stretch out, backpack under my head, and sleep. I pride myself on my ability to sleep anywhere—on a bus, by the lake in Chicago. It feels so good to stretch out in the grass after a night scrunched into bus seats and 6 hours of walking the city. I take off my shoes and curl my toes into the grass, feel earth beneath my sweaty, soggy astronaut jeans.

Back at the bus station, I can’t help but wonder why they abandoned the much larger shelter on Clark and Randolph, right in the middle of the Loop, for this small, crowded, out of the way station. Ten or 12 blocks from the lake, at least 6 blocks from anywhere to get a sandwich or a bit to eat. The old station had a Burger King, a gift shop, several levels to explore. You had the sense you were in the city, not hanging among warehouses in an even seedier area of town. Too many undesirables at the old station, I’m sure. The new station is constantly filled to capacity with lines of people passing through, waiting for connections that never arrive.

Hammond, Indiana. GI housing and power plants. Towers like giant monsters everywhere. Like those dress maker dummies, only huge. Mutant, foreboding. Angry women with their hands on their hips. I haven’t been on terra firma since I got on the bus. Interstate 90 from Chicago into this first part of Indiana is like being on the el trains. The highways are all built above ground like one humungous overpass. I start to feel a bit seasick overlooking roofs of small houses but completely unable to determine anything about the land we’re traveling above. Once again I have scored the less crowded of two buses and have a seat to myself. There are even empty seats on this bus, unlike the one that everyone else was struggling and fighting to get on only 15 minutes before mine. Smugly, I stretch out, take off my shoes, and rub my feet as I look out the window and scribble. More power plants. Domes and pools. Indiana must be the Newark of the Midwest. Dinner stop coming up in Elkart, home of the mini-motor home.

Indiana is unimpressive. I made a good choice leaving Chicago at night. This is the “old economy”—smokestacks and lighted towers. Social realism, Soviet style art glorifying the unity of the grime-covered workers. Glum lifeless apocalyptic future of automatons working beneath a permanently hazy gray sky.

Indiana must steal or gamble away all of its road funds. This is the worst maintained toll road I have ever been on. What do they do with the money? For all of the ugly sprawl of mall areas, the conformist monoculture of chain restaurants and department anchor stores, neon is a friend to both the insomniac and the night traveler. Miles of dark highway with nothing to gaze upon, save for the reflected headlights in the opposite bus window and intermittent glances at the moon leave you stranded and suspended, lacking any concept of time and geography. Signs of life outside the window, distant from the highway, anchor you, keep you from drifting too far. It’s not quite home, but so familiar nonetheless.

10:30 pm. The Ohio Turnpike. Another new state.